The process of de-humanising begins from the first frame. Eric (Jack O'Connell) is moved like a pawn, treated like a loon and reduced to a series of louse-ridden tick boxes.
At the end of Shadowland, by way of an encore, the flexible folk of US-based Pilobolus said thanks - more accurately "cheers" - to the London crowd with a YouTube friendly silhouette romp depicting their journey across the pond.
Director Wes Anderson often creates films that inspire admiration rather than love. They are products of the intellect, not unruly effusions of the heart.
It is staggering to modern eyes that the Paedophile Information Exchange should have found any currency at all, let alone the championing voice of an authoritative body such as the National Council of Civil Liberties in the '70s.